Filmmaker Anthony Chen on the Vital Role of Festivals for Emerging Talent

Acclaimed Singaporean director Anthony Chen is currently serving as the president of the Asian New Talent jury at the Shanghai International Film Festival. Fresh off the international festival circuit for his latest film, *We Are All Strangers*—the final installment of his "Growing Up" trilogy—Chen is shifting his focus from creator to evaluator. He joins a diverse panel of industry experts to assess 12 films from first- and second-time directors, a section historically significant for launching the careers of major filmmakers like Makoto Shinkai.

Chen’s approach to jury duty is rooted in a philosophy of objective discovery. He intentionally avoids pre-screening research, such as reviews or synopses, to ensure he experiences each film with a fresh perspective. He views this rigorous attention as a fundamental sign of respect for the filmmakers, emphasizing that the responsibility of judging requires total engagement. For Chen, the ideal film is one that moves the audience on a profound, human level rather than relying on sentimental tropes, while demonstrating mastery in cinematic craft.

This role highlights the enduring importance of film festivals as essential launchpads for emerging voices. Reflecting on his own career, Chen credits the global recognition of his debut, *Ilo Ilo*, with opening doors that would have otherwise remained closed. By participating in the Shanghai jury, Chen is not only contributing to the industry's future but also reinforcing the cycle of mentorship and discovery that sustains global cinema. His presence underscores the vital link between established auteurs and the next generation of storytellers in the Asian film market.